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	<title>Web</title>
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	<link>http://dtcwebmedia.com/Web</link>
	<description>Web And Web Search, Internet Web Search, Meta Web Search</description>
	<lastBuildDate>Mon, 06 Feb 2012 18:53:43 +0000</lastBuildDate>
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		<title>David Denby: &#8220;The Story of G.I. Joe,&#8221; at Film Forum.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110833/david-denby-the-story-of-g-i-joe-at-film-forum/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110833/david-denby-the-story-of-g-i-joe-at-film-forum/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/notebook/2012/02/13/120213gonb_GOAT_notebook_denby</guid>
		<description><![CDATA[Of all the Second World War movies about American fighting platoons, &#8220;The Story of G.I. Joe,&#8221; made by William Wellman in 1945, is probably the grimmest and most poetic and the least tied to genre clich&#233;s. (It screens at Film Forum on F...]]></description>
			<content:encoded><![CDATA[Of all the Second World War movies about American fighting platoons, &#8220;The Story of G.I. Joe,&#8221; made by William Wellman in 1945, is probably the grimmest and most poetic and the least tied to genre clich&#233;s. (It screens at Film Forum on Feb. 22, in a&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Alex Ross: ISSUE Project Room&#8217;s permanent space.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110832/alex-ross-issue-project-rooms-permanent-space/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110832/alex-ross-issue-project-rooms-permanent-space/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/notebook/2012/02/13/120213gonb_GOAT_notebook_ross</guid>
		<description><![CDATA[The avant-garde performance center ISSUE Project Room&#8212;which has variously inhabited a garage in the East Village, an empty oil silo on the Gowanus Canal, and the Old American Can Factory, also in the Gowanus area&#8212;has finally found a permane...]]></description>
			<content:encoded><![CDATA[The avant-garde performance center ISSUE Project Room&#8212;which has variously inhabited a garage in the East Village, an empty oil silo on the Gowanus Canal, and the Old American Can Factory, also in the Gowanus area&#8212;has finally found a permanent home: 110 Livingston, a Renaissance-style&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<item>
		<title>Goings on About Town: Art</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110831/goings-on-about-town-art-120/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110831/goings-on-about-town-art-120/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/art/2012/02/13/120213goar_GOAT_art</guid>
		<description><![CDATA[PageBreak --&#62;MUSEUMS AND LIBRARIES 
  
METROPOLITAN MUSEUM 
Fifth Ave. at 82nd St. (212-535-7710)&#8212;&#8220;The Renaissance Portrait from Donatello to Bellini.&#8221; Through March 18. &#124;  &#8220;Chinese Art in an Age of Revolution: Fu Baoshi (1904-1...]]></description>
			<content:encoded><![CDATA[PageBreak --&gt;<!--goatcategory-->MUSEUMS AND LIBRARIES<!--/goatcategory--> 
  
<!--goatTitle-->METROPOLITAN MUSEUM<!--/goatTitle--> 
Fifth Ave. at 82nd St. (212-535-7710)&#8212;&#8220;The Renaissance Portrait from Donatello to Bellini.&#8221; Through March 18. |  &#8220;Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965).&#8221; Through April 15. |  &#8220;Photographic Treasures from the Collection&#160;.&#160;.&#160;.]]></content:encoded>
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		<title>Alice Fulton: &#8220;Malus Domestica.&#8221;</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110830/alice-fulton-malus-domestica/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110830/alice-fulton-malus-domestica/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/fiction/poetry/2012/02/13/120213po_poem_fulton</guid>
		<description><![CDATA[I&#8217;ve come to dread the obligatory Apple Festival 
where we must pledge our fealty 
to the strains of folk drone music 
by the shores of an impaired lake. 
  
Where former detainees weep to see 
children bobbing for apples 
with their hands tied b...]]></description>
			<content:encoded><![CDATA[I&#8217;ve come to dread the obligatory Apple Festival 
where we must pledge our fealty 
to the strains of folk drone music 
by the shores of an impaired lake. 
  
Where former detainees weep to see 
children bobbing for apples 
with their hands tied behind their backs 
  
and the shepherd&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Goings on About Town: Classical Music</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110829/goings-on-about-town-classical-music-118/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110829/goings-on-about-town-classical-music-118/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/classical/2012/02/13/120213gocl_GOAT_classical</guid>
		<description><![CDATA[PageBreak --&#62;OPERA 
  
METROPOLITAN OPERA 
Bartlett Sher&#8217;s rambunctious staging of &#8220;Il Barbiere di Siviglia&#8221; returns to the repertory, with Rodion Pogossov in the title role and Diana Damrau as Rosina, as well as Colin Lee, John Del C...]]></description>
			<content:encoded><![CDATA[PageBreak --&gt;<!--goatcategory-->OPERA<!--/goatcategory--> 
  
<!--goatTitle-->METROPOLITAN OPERA<!--/goatTitle--> 
Bartlett Sher&#8217;s rambunctious staging of &#8220;Il Barbiere di Siviglia&#8221; returns to the repertory, with Rodion Pogossov in the title role and Diana Damrau as Rosina, as well as Colin Lee, John Del Carlo, and Ferruccio Furlanetto; Maurizio Benini&#160;.&#160;.&#160;.]]></content:encoded>
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		<item>
		<title>Andrea K. Scott: Ciano in the Flatiron District.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110828/andrea-k-scott-ciano-in-the-flatiron-district/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110828/andrea-k-scott-ciano-in-the-flatiron-district/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/reviews/tables/2012/02/13/120213gota_GOAT_tables_scott</guid>
		<description><![CDATA[If some locations seem cursed for new restaurants, can others be lucky? The Tuscan-style Beppe was a hit for nine years, before closing in 2010. Within months, another upscale down-home establishment sprang up in its place, helmed by the rising star Sh...]]></description>
			<content:encoded><![CDATA[If some locations seem cursed for new restaurants, can others be lucky? The Tuscan-style Beppe was a hit for nine years, before closing in 2010. Within months, another upscale down-home establishment sprang up in its place, helmed by the rising star Shea Gallante, and it may well be&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Goings on About Town: Dance</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110827/goings-on-about-town-dance-117/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110827/goings-on-about-town-dance-117/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/dance/2012/02/13/120213goda_GOAT_dance</guid>
		<description><![CDATA[goatTitle--&#62;NEW YORK CITY BALLET 
In the next two weeks, the company will offer a broad swath of repertory by Balanchine, Robbins, and Ratmansky, as well as several performances of two large-scale narrative ballets by Peter Martins and Lynne Taylor-Cor...]]></description>
			<content:encoded><![CDATA[goatTitle--&gt;NEW YORK CITY BALLET<!--/goatTitle--> 
In the next two weeks, the company will offer a broad swath of repertory by Balanchine, Robbins, and Ratmansky, as well as several performances of two large-scale narrative ballets by Peter Martins and Lynne Taylor-Corbett. On the Balanchine front, N.Y.C.B. presents the&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Anthony Lane: M.R. James&#8217;s &#8220;Collected Ghost Stories.&#8221;</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110826/anthony-lane-m-r-jamess-collected-ghost-stories/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110826/anthony-lane-m-r-jamess-collected-ghost-stories/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/books/2012/02/13/120213crbo_books_lane</guid>
		<description><![CDATA[The name of Montague Rhodes James is not widely recognized in America, and there will be little fellow-feeling for the world he chose to inhabit. Indeed, it seems as remote as a cold, unvisitable planet, viewed from afar. James was born in southeast En...]]></description>
			<content:encoded><![CDATA[The name of Montague Rhodes James is not widely recognized in America, and there will be little fellow-feeling for the world he chose to inhabit. Indeed, it seems as remote as a cold, unvisitable planet, viewed from afar. James was born in southeast England in 1862. His father, Herbert&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Goings on About Town: Movies</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110825/goings-on-about-town-movies-122/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110825/goings-on-about-town-movies-122/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/revivals/2012/02/13/120213gomo_GOAT_movies</guid>
		<description><![CDATA[PageBreak --&#62;OPENING 
  
BULLHEAD 
Micha&#235;l R. Roskam directed this drama, about a farmer (Matthias Schoenaerts) who makes a deal with an underworld meat trader. In Dutch and French. Opening Feb. 17. (In limited release.) 
  
CHICO &#038; RITA 
Fern...]]></description>
			<content:encoded><![CDATA[PageBreak --&gt;<!--goatcategory-->OPENING<!--/goatcategory--> 
  
<!--goatTitle-->BULLHEAD<!--/goatTitle--> 
Micha&#235;l R. Roskam directed this drama, about a farmer (Matthias Schoenaerts) who makes a deal with an underworld meat trader. In Dutch and French. Opening Feb. 17. (In limited release.) 
  
<!--goatTitle-->CHICO &#038; RITA<!--/goatTitle--> 
Fernando Trueba and Javier Mariscal directed&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Ben McGrath: Mary Bloom, Westminster Dog Show photographer.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110824/ben-mcgrath-mary-bloom-westminster-dog-show-photographer/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110824/ben-mcgrath-mary-bloom-westminster-dog-show-photographer/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/talk/2012/02/13/120213ta_talk_mcgrath</guid>
		<description><![CDATA[Traffic stopped along Seventh Avenue, the other day, so that a small parade of dogs could cross in front of Madison Square Garden. To judge by the horde of jostling photographers and videographers, you might have thought there&#8217;d been a Brangelina...]]></description>
			<content:encoded><![CDATA[Traffic stopped along Seventh Avenue, the other day, so that a small parade of dogs could cross in front of Madison Square Garden. To judge by the horde of jostling photographers and videographers, you might have thought there&#8217;d been a Brangelina sighting, or a celebrity perp walk. &amp;#8220&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Goings on About Town: Night Life</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110823/goings-on-about-town-night-life-119/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110823/goings-on-about-town-night-life-119/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/nightlife/2012/02/13/120213goni_GOAT_nightlife</guid>
		<description><![CDATA[PageBreak --&#62;ROCK AND POP 
Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to check in advance to confirm engagements. 
  
&#8220;AMERICAN SONGBOOK&#8221; 
Feb. 8: The baritone raconteur Bill Callahan, the artist forme...]]></description>
			<content:encoded><![CDATA[PageBreak --&gt;<!--goatcategory-->ROCK AND POP<!--/goatcategory--> 
Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to check in advance to confirm engagements. 
  
<!--goatTitle-->&#8220;AMERICAN SONGBOOK&#8221;<!--/goatTitle--> 
Feb. 8: The baritone raconteur Bill Callahan, the artist formerly known as Smog, brings his Americana-inflected songs to&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Books: &#8220;Nod House&#8221; by Nathaniel Mackey, review.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110822/books-nod-house-by-nathaniel-mackey-review/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110822/books-nod-house-by-nathaniel-mackey-review/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/reviews/brieflynoted/2012/02/13/120213crbn_brieflynoted1</guid>
		<description><![CDATA[In oblique, elliptical fashion, these poems follow the dispersal of African peoples by half a millennium of catastrophes, from slavery to Hurricane Katrina. Mackey&#8217;s narrative concerns the citizens of a dim necropolis called Quag. The wanderings ...]]></description>
			<content:encoded><![CDATA[In oblique, elliptical fashion, these poems follow the dispersal of African peoples by half a millennium of catastrophes, from slavery to Hurricane Katrina. Mackey&#8217;s narrative concerns the citizens of a dim necropolis called Quag. The wanderings of his characters, who have names like St. Sufferhead, Anuncia, and Huff&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110822/books-nod-house-by-nathaniel-mackey-review/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Goings on About Town: On the Horizon</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110821/goings-on-about-town-on-the-horizon-110/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110821/goings-on-about-town-on-the-horizon-110/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/horizon/2012/02/13/120213gohz_GOAT_horizon</guid>
		<description><![CDATA[THE THEATRE 
RESURRECTION 
March 1 
Andrew Lloyd Webber and Tim Rice&#8217;s 1971 rock musical, &#8220;Jesus Christ Superstar,&#8221; is back, in a production that originated at last year&#8217;s Stratford Shakespeare Festival. Des McAnuff directs, at ...]]></description>
			<content:encoded><![CDATA[THE THEATRE 
RESURRECTION 
March 1 
Andrew Lloyd Webber and Tim Rice&#8217;s 1971 rock musical, &#8220;Jesus Christ Superstar,&#8221; is back, in a production that originated at last year&#8217;s Stratford Shakespeare Festival. Des McAnuff directs, at the Neil Simon. (212-239-6200.) 
  
CLASSICAL MUSIC 
BACK IN BLACK 
March&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Books: &#8220;Vulture Peak&#8221; by John Burdett, review.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110820/books-vulture-peak-by-john-burdett-review/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110820/books-vulture-peak-by-john-burdett-review/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/reviews/brieflynoted/2012/02/13/120213crbn_brieflynoted2</guid>
		<description><![CDATA[The fifth installment in Burdett&#8217;s Bangkok-based crime series begins with a triple homicide whose victims have had every salable body part removed. Among the suspects are identical-twin Chinese heiresses&#8212;gorgeous, of course&#8212;whose hobb...]]></description>
			<content:encoded><![CDATA[The fifth installment in Burdett&#8217;s Bangkok-based crime series begins with a triple homicide whose victims have had every salable body part removed. Among the suspects are identical-twin Chinese heiresses&#8212;gorgeous, of course&#8212;whose hobbies include playing Russian roulette and collecting embalmed male genitalia. Burdett&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Goings on About Town: Readings and Talks</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110819/goings-on-about-town-readings-and-talks-120/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110819/goings-on-about-town-readings-and-talks-120/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/readings/2012/02/13/120213goab_GOAT_above1</guid>
		<description><![CDATA[goatTitle--&#62;&#8220;SELECTED SHORTS&#8221; 
Jerry Stiller, Anne Meara, and Stephen Lang join the New Yorker cartoonist Roz Chast for an evening based on her new book, &#8220;What I Hate from A to Z.&#8221; (Symphony Space, Broadway at 95th St. 212-864-5...]]></description>
			<content:encoded><![CDATA[goatTitle--&gt;&#8220;SELECTED SHORTS&#8221;<!--/goatTitle--> 
Jerry Stiller, Anne Meara, and Stephen Lang join the New Yorker cartoonist Roz Chast for an evening based on her new book, &#8220;What I Hate from A to Z.&#8221; (Symphony Space, Broadway at 95th St. 212-864-5400. Feb. 8 at 7.) 
  
<!--goatTitle-->&amp;#8220&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>David Denby: &#8220;Chronicle,&#8221; &#8220;In Darkness&#8221; reviews.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110818/david-denby-chronicle-in-darkness-reviews/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110818/david-denby-chronicle-in-darkness-reviews/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/cinema/2012/02/13/120213crci_cinema_denby</guid>
		<description><![CDATA[8220;Chronicle&#8221; is a mildly experimental commercial film, and, for the most part, it&#8217;s loose-limbed fun. The picture takes off from &#8220;The Blair Witch Project&#8221; and other movies that use point-of-view techniques: we see footage sho...]]></description>
			<content:encoded><![CDATA[8220;Chronicle&#8221; is a mildly experimental commercial film, and, for the most part, it&#8217;s loose-limbed fun. The picture takes off from &#8220;The Blair Witch Project&#8221; and other movies that use point-of-view techniques: we see footage shot by a character&#8217;s digital&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Goings on About Town: The Theatre</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110817/goings-on-about-town-the-theatre-119/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110817/goings-on-about-town-the-theatre-119/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/theatre/2012/02/13/120213goth_GOAT_theatre</guid>
		<description><![CDATA[PageBreak --&#62;OPENINGS AND PREVIEWS 
Please call the phone number listed with the theatre for timetables and ticket information. 
  
AND GOD CREATED GREAT WHALES 
Rinde Eckert wrote and stars in this musical, about a composer with mental illness who tri...]]></description>
			<content:encoded><![CDATA[PageBreak --&gt;<!--goatcategory-->OPENINGS AND PREVIEWS<!--/goatcategory--> 
Please call the phone number listed with the theatre for timetables and ticket information. 
  
<!--goatTitle-->AND GOD CREATED GREAT WHALES<!--/goatTitle--> 
Rinde Eckert wrote and stars in this musical, about a composer with mental illness who tries to write an opera based on &amp;#8220&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Emily Nussbaum: &#8220;The Loving Story,&#8221; &#8220;Paradise Lost 3: Purgatory,&#8221;  on HBO.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110816/emily-nussbaum-the-loving-story-paradise-lost-3-purgatory-on-hbo/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110816/emily-nussbaum-the-loving-story-paradise-lost-3-purgatory-on-hbo/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/notebook/2012/02/13/120213gonb_GOAT_notebook_nussbaum</guid>
		<description><![CDATA[HBO has two new documentaries, each dramatizing a miscarriage of justice. In January, the cable channel began airing Joe Berlinger and Bruce Sinofsky&#8217;s &#8220;Paradise Lost 3: Purgatory,&#8221; which was nominated for an Oscar for best documentar...]]></description>
			<content:encoded><![CDATA[HBO has two new documentaries, each dramatizing a miscarriage of justice. In January, the cable channel began airing Joe Berlinger and Bruce Sinofsky&#8217;s &#8220;Paradise Lost 3: Purgatory,&#8221; which was nominated for an Oscar for best documentary. It&#8217;s the capper to their nearly two-decade&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Happy Anniversary by Richard McGuire</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110815/happy-anniversary-by-richard-mcguire/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110815/happy-anniversary-by-richard-mcguire/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/fiction/features/2012/02/13/120213fi_fiction_mcguire</guid>
		<description><![CDATA[&#160;.&#160;.&#160;. (Subscription required.)]]></description>
			<content:encoded><![CDATA[&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gerald Stern: &#8220;Nietzsche.&#8221;</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110814/gerald-stern-nietzsche/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110814/gerald-stern-nietzsche/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/fiction/poetry/2012/02/13/120213po_poem_stern</guid>
		<description><![CDATA[You can say what you want but I love Nietzsche most 
when he stood between the terrified horse and the coachman 
and intervened though I have pity for his sudden 
madness even if he hated pity for he was 
human then nor could one word matter anyhow, 
a...]]></description>
			<content:encoded><![CDATA[You can say what you want but I love Nietzsche most 
when he stood between the terrified horse and the coachman 
and intervened though I have pity for his sudden 
madness even if he hated pity for he was 
human then nor could one word matter anyhow, 
and when he&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
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