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	<title>Web &#187; Web</title>
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	<link>http://dtcwebmedia.com/Web</link>
	<description>Web And Web Search, Internet Web Search, Meta Web Search</description>
	<lastBuildDate>Mon, 06 Feb 2012 18:53:43 +0000</lastBuildDate>
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		<title>Books: &#8220;American Egyptologist&#8221; by Jeffrey Abt, review.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110793/books-american-egyptologist-by-jeffrey-abt-review/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110793/books-american-egyptologist-by-jeffrey-abt-review/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/reviews/brieflynoted/2012/02/13/120213crbn_brieflynoted3</guid>
		<description><![CDATA[Born in Illinois in 1865, James Henry Breasted turned an early interest in the ministry and a talent for languages into a remarkable career as America&#8217;s first formally trained Egyptologist. He specialized in the recording of inscriptions and want...]]></description>
			<content:encoded><![CDATA[Born in Illinois in 1865, James Henry Breasted turned an early interest in the ministry and a talent for languages into a remarkable career as America&#8217;s first formally trained Egyptologist. He specialized in the recording of inscriptions and wanted nothing less than &#8220;the recopying and republication of&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Emily Nussbaum: Children&#8217;s TV enjoys a renaissance.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110794/emily-nussbaum-childrens-tv-enjoys-a-renaissance/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110794/emily-nussbaum-childrens-tv-enjoys-a-renaissance/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/television/2012/02/13/120213crte_television_nussbaum</guid>
		<description><![CDATA[When children&#8217;s television comes up in conversation, everyone knows the drill. Begin with the sinister idiom &#8220;screen time.&#8221; To show you&#8217;re no prig, make a warm remark about &#8220;Sesame Street.&#8221; Name your favorite Muppet....]]></description>
			<content:encoded><![CDATA[When children&#8217;s television comes up in conversation, everyone knows the drill. Begin with the sinister idiom &#8220;screen time.&#8221; To show you&#8217;re no prig, make a warm remark about &#8220;Sesame Street.&#8221; Name your favorite Muppet. (I suggest Beaker or the Swedish chef.) Then&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		</item>
		<item>
		<title>Sasha Frere-Jones: Rick Ross and the life style of a boss.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110795/sasha-frere-jones-rick-ross-and-the-life-style-of-a-boss/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110795/sasha-frere-jones-rick-ross-and-the-life-style-of-a-boss/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/musical/2012/02/13/120213crmu_music_frerejones</guid>
		<description><![CDATA[A central motif in contemporary hip-hop is rapping about drug dealing by artists who may not actually sell narcotics. Among others, Jay-Z, Clipse, and Young Jeezy have rhymed about a past or present involvement in the trade on the street. It&#8217;s ty...]]></description>
			<content:encoded><![CDATA[A central motif in contemporary hip-hop is rapping about drug dealing by artists who may not actually sell narcotics. Among others, Jay-Z, Clipse, and Young Jeezy have rhymed about a past or present involvement in the trade on the street. It&#8217;s typically impossible to determine whether&#160;.&#160;.&#160;.]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110795/sasha-frere-jones-rick-ross-and-the-life-style-of-a-boss/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Alex Ross: Philip Glass&#8217;s 75th birthday celebrations.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110796/alex-ross-philip-glasss-75th-birthday-celebrations/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110796/alex-ross-philip-glasss-75th-birthday-celebrations/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/musical/2012/02/13/120213crmu_music_ross</guid>
		<description><![CDATA[Philip Glass&#8217;s place in musical history is secure. His sprawling, churning, monumentally obsessive works of the nineteen-seventies&#8212;&#8220;Music with Changing Parts,&#8221; &#8220;Music in Twelve Parts,&#8221; &#8220;Einstein on the Beach,&#38;#...]]></description>
			<content:encoded><![CDATA[Philip Glass&#8217;s place in musical history is secure. His sprawling, churning, monumentally obsessive works of the nineteen-seventies&#8212;&#8220;Music with Changing Parts,&#8221; &#8220;Music in Twelve Parts,&#8221; &#8220;Einstein on the Beach,&#8221; &#8220;Satyagraha&#8221;&#8212;have fascinated several generations of listeners, demonstrating&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Raffi Khatchadourian: Dallas Wiens, face transplant recipient.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110797/raffi-khatchadourian-dallas-wiens-face-transplant-recipient/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110797/raffi-khatchadourian-dallas-wiens-face-transplant-recipient/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/reporting/2012/02/13/120213fa_fact_khatchadourian</guid>
		<description><![CDATA[God took Dallas Wiens&#8217;s face from him on a clear November morning four years ago. If you ask Wiens, he will say that it was neither an accident nor a punishment; it was simply what had to happen. At the time, he was trying to paint the roof&#160;...]]></description>
			<content:encoded><![CDATA[God took Dallas Wiens&#8217;s face from him on a clear November morning four years ago. If you ask Wiens, he will say that it was neither an accident nor a punishment; it was simply what had to happen. At the time, he was trying to paint the roof&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110797/raffi-khatchadourian-dallas-wiens-face-transplant-recipient/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cartoons from the Issue</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110798/cartoons-from-the-issue-119/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110798/cartoons-from-the-issue-119/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/humor/issuecartoons/2012/02/13/cartoons_20120206</guid>
		<description><![CDATA[A collection of cartoons from the issue, plus this week's Cartoon Caption Contest.]]></description>
			<content:encoded><![CDATA[A collection of cartoons from the issue, plus this week's Cartoon Caption Contest.]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110798/cartoons-from-the-issue-119/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Michael Chabon: &#8220;Citizen Conn.&#8221;</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110799/michael-chabon-citizen-conn/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110799/michael-chabon-citizen-conn/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/fiction/features/2012/02/13/120213fi_fiction_chabon</guid>
		<description><![CDATA[I first met Mr. Morton Feather in the spring of 1997, just after his discharge from a weeklong stay at Cedars-Sinai, where they were treating him for cancer of the bones. Though he was at the time unknown to me even by reputation, I soon learned that m...]]></description>
			<content:encoded><![CDATA[I first met Mr. Morton Feather in the spring of 1997, just after his discharge from a weeklong stay at Cedars-Sinai, where they were treating him for cancer of the bones. Though he was at the time unknown to me even by reputation, I soon learned that my own&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110799/michael-chabon-citizen-conn/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Andrew Marantz: Buddy Roemer, Presidential candidate, O.W.S. supporter.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110800/andrew-marantz-buddy-roemer-presidential-candidate-o-w-s-supporter/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110800/andrew-marantz-buddy-roemer-presidential-candidate-o-w-s-supporter/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/talk/2012/02/13/120213ta_talk_marantz</guid>
		<description><![CDATA[Last Tuesday, while Newt Gingrich and Mitt Romney campaigned in Florida, Buddy Roemer walked toward Zuccotti Park. He carried a briefcase and wore a navy suit, a red tie, and loafers. The park had reverted to its pre-Occupy state&#8212;construction wor...]]></description>
			<content:encoded><![CDATA[Last Tuesday, while Newt Gingrich and Mitt Romney campaigned in Florida, Buddy Roemer walked toward Zuccotti Park. He carried a briefcase and wore a navy suit, a red tie, and loafers. The park had reverted to its pre-Occupy state&#8212;construction workers on stone benches eating sandwiches&#8212;but&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110800/andrew-marantz-buddy-roemer-presidential-candidate-o-w-s-supporter/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lizzie Widdicombe: Quentin Rowan, a.k.a. Q. R. Markham, plagiarism addict.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110801/lizzie-widdicombe-quentin-rowan-a-k-a-q-r-markham-plagiarism-addict/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110801/lizzie-widdicombe-quentin-rowan-a-k-a-q-r-markham-plagiarism-addict/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/reporting/2012/02/13/120213fa_fact_widdicombe</guid>
		<description><![CDATA[Spy novels embrace clich&#233;s&#8212;the double agent, the bomb-rigged briefcase&#8212;and &#8220;Assassin of Secrets,&#8221; published last fall, made a virtue of this tendency, piling one trope onto another to create a story that rang with wry knowi...]]></description>
			<content:encoded><![CDATA[Spy novels embrace clich&#233;s&#8212;the double agent, the bomb-rigged briefcase&#8212;and &#8220;Assassin of Secrets,&#8221; published last fall, made a virtue of this tendency, piling one trope onto another to create a story that rang with wry knowingness. The book is set in the&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110801/lizzie-widdicombe-quentin-rowan-a-k-a-q-r-markham-plagiarism-addict/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Goings on About Town: Above and Beyond</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110802/goings-on-about-town-above-and-beyond-119/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110802/goings-on-about-town-above-and-beyond-119/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/events/above/2012/02/13/120213goab_GOAT_above</guid>
		<description><![CDATA[goatTitle--&#62;WESTMINSTER KENNEL CLUB DOG SHOW 
Samoyeds, Cavalier King Charles spaniels, golden retrievers, Rhodesian ridgebacks, French bulldogs, dachshunds, and many other breeds come to town for the Westminster Kennel Club Dog Show. (Madison Square G...]]></description>
			<content:encoded><![CDATA[goatTitle--&gt;WESTMINSTER KENNEL CLUB DOG SHOW<!--/goatTitle--> 
Samoyeds, Cavalier King Charles spaniels, golden retrievers, Rhodesian ridgebacks, French bulldogs, dachshunds, and many other breeds come to town for the Westminster Kennel Club Dog Show. (Madison Square Garden, Seventh Ave. at 33rd St. 800-745-3000. For more information, visit westminsterkennelclub.org. Feb. 13-14.) 
  
&lt;!--goatTitle&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jonathen Franzen: Edith Wharton&#8217;s novels of sympathy.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110803/jonathen-franzen-edith-whartons-novels-of-sympathy/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110803/jonathen-franzen-edith-whartons-novels-of-sympathy/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/reporting/2012/02/13/120213fa_fact_franzen</guid>
		<description><![CDATA[The older I get, the more I&#8217;m convinced that a fiction writer&#8217;s oeuvre is a mirror of the writer&#8217;s character. It may well be a defect of my own character that my literary tastes are so deeply intertwined with my responses, as a person...]]></description>
			<content:encoded><![CDATA[The older I get, the more I&#8217;m convinced that a fiction writer&#8217;s oeuvre is a mirror of the writer&#8217;s character. It may well be a defect of my own character that my literary tastes are so deeply intertwined with my responses, as a person&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Your Eustace, 2012: Eustace Tilley Contest.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110804/your-eustace-2012-eustace-tilley-contest/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110804/your-eustace-2012-eustace-tilley-contest/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/online/2012/02/13/120213_slideshow_eustacetilley</guid>
		<description><![CDATA[A portfolio of the winning entries to the 2012 Eustace Tilley Contest, an invitation to redefine The New Yorker&#8217;s presiding dandy.]]></description>
			<content:encoded><![CDATA[A portfolio of the winning entries to the 2012 Eustace Tilley Contest, an invitation to redefine <em>The New Yorker&#8217;s</em> presiding dandy.]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110804/your-eustace-2012-eustace-tilley-contest/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Lahr: &#8220;Look Back in Anger,&#8221; a John Osborne revival.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110805/john-lahr-look-back-in-anger-a-john-osborne-revival/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110805/john-lahr-look-back-in-anger-a-john-osborne-revival/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/theatre/2012/02/13/120213crth_theatre_lahr</guid>
		<description><![CDATA[John Osborne&#8217;s rowdy, shocking anger&#8212;first broadcast in his play &#8220;Look Back in Anger,&#8221; which is now in revival at the Roundabout Theatre Company&#8217;s Laura Pels&#8212;was his trademark, his gift, and his epitaph. &#8220;When ...]]></description>
			<content:encoded><![CDATA[John Osborne&#8217;s rowdy, shocking anger&#8212;first broadcast in his play &#8220;Look Back in Anger,&#8221; which is now in revival at the Roundabout Theatre Company&#8217;s Laura Pels&#8212;was his trademark, his gift, and his epitaph. &#8220;When the bell rings, I not only&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Books: &#8220;Saladin&#8221; by Anne-Marie Edd&#233;, review.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110806/books-saladin-by-anne-marie-edd-review/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110806/books-saladin-by-anne-marie-edd-review/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/reviews/brieflynoted/2012/02/13/120213crbn_brieflynoted4</guid>
		<description><![CDATA[In 1187, the Muslim military ruler Saladin captured Jerusalem from the descendants of crusaders. The news electrified Europe, and England and France imposed a &#8220;Saladin tithe,&#8221; to fund the Third Crusade. Edd&#233;&#8217;s book portrays Salad...]]></description>
			<content:encoded><![CDATA[In 1187, the Muslim military ruler Saladin captured Jerusalem from the descendants of crusaders. The news electrified Europe, and England and France imposed a &#8220;Saladin tithe,&#8221; to fund the Third Crusade. Edd&#233;&#8217;s book portrays Saladin amid a medieval world in motion: He dispatches sons and&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Freeman: &#8220;Allowances.&#8221;</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110807/john-freeman-allowances/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110807/john-freeman-allowances/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/fiction/poetry/2012/02/13/120213po_poem_freeman</guid>
		<description><![CDATA[I gave myself excuses. 
This is for my pain&#8212; 
and this, and this. 
Terrible things. 
Pain. My pain. 
All so I might 
twice a month 
get on a train 
to witness yours&#160;.&#160;.&#160;. (Subscription required.)]]></description>
			<content:encoded><![CDATA[I gave myself excuses. 
This is for my pain&#8212; 
and this, and this. 
Terrible things. 
Pain. My pain. 
All so I might 
twice a month 
get on a train 
to witness yours&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ben Greenman: Sin&#233;ad O&#8217;Connor&#8217;s &#8220;How About I Be Me (And You Be You)?&#8221;</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110808/ben-greenman-sinad-oconnors-how-about-i-be-me-and-you-be-you/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110808/ben-greenman-sinad-oconnors-how-about-i-be-me-and-you-be-you/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/reviews/recordings/2012/02/13/120213gore_GOAT_recordings_greenman</guid>
		<description><![CDATA[Sin&#233;ad O&#8217;Connor has always had a talent for distracting people from her talent. In 1992, she famously tore up a picture of Pope John Paul II on &#8220;Saturday Night Live,&#8221; and, slightly less famously, was booed offstage at a Bob Dylan...]]></description>
			<content:encoded><![CDATA[Sin&#233;ad O&#8217;Connor has always had a talent for distracting people from her talent. In 1992, she famously tore up a picture of Pope John Paul II on &#8220;Saturday Night Live,&#8221; and, slightly less famously, was booed offstage at a Bob Dylan tribute weeks later&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
			<wfw:commentRss>http://dtcwebmedia.com/Web/2012-02-110808/ben-greenman-sinad-oconnors-how-about-i-be-me-and-you-be-you/feed/</wfw:commentRss>
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		<title>Jane Mayer: Larry McCarthy, Mitt Romney, and Restore Our Future super PAC.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110809/jane-mayer-larry-mccarthy-mitt-romney-and-restore-our-future-super-pac/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110809/jane-mayer-larry-mccarthy-mitt-romney-and-restore-our-future-super-pac/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/reporting/2012/02/13/120213fa_fact_mayer</guid>
		<description><![CDATA[Mitt Romney, in his struggle to wrap up the 2012 Republican nomination for the Presidency, has presented himself as an outsider. During an exchange with Newt Gingrich, the former Speaker of the House, at a recent Republican debate, Romney declared that...]]></description>
			<content:encoded><![CDATA[Mitt Romney, in his struggle to wrap up the 2012 Republican nomination for the Presidency, has presented himself as an outsider. During an exchange with Newt Gingrich, the former Speaker of the House, at a recent Republican debate, Romney declared that &#8220;to get this country out of the mess&#160;.&#160;.&#160;.]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Andrea K. Scott:  Klara Lid&#233;n, at the Reena Spaulings gallery.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110810/andrea-k-scott-klara-lidn-at-the-reena-spaulings-gallery/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110810/andrea-k-scott-klara-lidn-at-the-reena-spaulings-gallery/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/arts/critics/notebook/2012/02/13/120213gonb_GOAT_notebook_scott</guid>
		<description><![CDATA[New York may be a concrete jungle, but it does have some soil and sky. Walter De Maria&#8217;s land-art knockout, &#8220;The New York Earth Room,&#8221; is two hundred and eighty thousand pounds of black dirt, maintained in a SoHo loft by the Dia Art F...]]></description>
			<content:encoded><![CDATA[New York may be a concrete jungle, but it does have some soil and sky. Walter De Maria&#8217;s land-art knockout, &#8220;The New York Earth Room,&#8221; is two hundred and eighty thousand pounds of black dirt, maintained in a SoHo loft by the Dia Art Foundation&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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		<title>James Surowiecki: Research in Motion and the BlackBerry&#8217;s rise and fall.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110811/james-surowiecki-research-in-motion-and-the-blackberrys-rise-and-fall/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110811/james-surowiecki-research-in-motion-and-the-blackberrys-rise-and-fall/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/talk/financial/2012/02/13/120213ta_talk_surowiecki</guid>
		<description><![CDATA[Five years ago, Research in Motion, maker of the BlackBerry, was one of the most acclaimed technology companies in the world. The BlackBerry dominated the smartphone market, was a staple of the business world, and had helped make texting a mainstream p...]]></description>
			<content:encoded><![CDATA[Five years ago, Research in Motion, maker of the BlackBerry, was one of the most acclaimed technology companies in the world. The BlackBerry dominated the smartphone market, was a staple of the business world, and had helped make texting a mainstream practice. Terrifically profitable, the phone became a cultural touchstone&#160;.&#160;.&#160;.]]></content:encoded>
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		<title>Alec Wilkinson: JD Souther in the American Songbook, at Lincoln Center.</title>
		<link>http://dtcwebmedia.com/Web/2012-02-110812/alec-wilkinson-jd-souther-in-the-american-songbook-at-lincoln-center/</link>
		<comments>http://dtcwebmedia.com/Web/2012-02-110812/alec-wilkinson-jd-souther-in-the-american-songbook-at-lincoln-center/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:00:00 +0000</pubDate>
		<dc:creator>Web</dc:creator>
				<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://www.newyorker.com/talk/2012/02/13/120213ta_talk_wilkinson</guid>
		<description><![CDATA[JD Souther, who is sixty-six, lives on a farm outside Nashville, and is most widely known for his part in writing sombre, elegiac songs that the Eagles and Linda Ronstadt made famous, such as &#8220;New Kid in Town,&#8221; &#8220;Heartache Tonight,&#38;#82...]]></description>
			<content:encoded><![CDATA[JD Souther, who is sixty-six, lives on a farm outside Nashville, and is most widely known for his part in writing sombre, elegiac songs that the Eagles and Linda Ronstadt made famous, such as &#8220;New Kid in Town,&#8221; &#8220;Heartache Tonight,&#8221; and &#8220;Faithless Love.&amp;#8221&#160;.&#160;.&#160;. (Subscription required.)]]></content:encoded>
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