- Books: “Verdi’s Shakespeare” review.
In the essays collected here, Wills examines how Verdi—who, though he did not read English, “adored Shakespeare”—composed and staged “Macbeth,” “Otello,” and “Falstaff,” all “solid masterpieces,” and the latter two “arguably the greatest things he . . . (Subscription required.)...
- Goings on About Town: Readings and Talks
goatTitle-->BOOKCOURT
Mark Kurlansky, the author of “Cod,” “Salt,” and “The Big Oyster,” among many other books, discusses his latest release, “World Without Fish,” an illustrated assessment of the future of the oceans. (163 Court St., Brooklyn. 718-875-3677. April 20 at . . ....
- Books: Victor Cha’s “The Impossible State” review.
8220;Industrialized,” “urbanized,” and “high tech” are not words one typically associates with North Korea. Yet, in the wake of the Second World War, as China and the U.S.S.R. vied for influence in the Korean peninsula, it was just that. Since then, political paranoia, economic . . . (Subscription required.)...
- Books: “Feeding on Dreams” review.
This latest memoir by the Chilean-American author and former Allende adviser resumes the tale of his countless “dislocations” since fleeing Chile, in 1973. Dorfman shuttles among three continents and two languages, adrift in “an eternal victimhood of regret.” The resulting “wrath” may help . . . (Subscription required.)...
- Anthony Lane: “Robin Hood.”
What do you get if you mix “Gladiator,” “The Return of Martin Guerre,” “Saving Private Ryan,” “Elizabeth,” “Troy,” “The Seventh Seal,” and a hundred buckets of mud? The answer is “Robin Hood”—the latest version . . ....
- John Lahr: “The Tempest” and “Clybourne Park.”
8220;Let me not . . . dwell in this bare island by your spell,” Prospero asks the audience in the epilogue of “The Tempest.” The island he is speaking of is both the ambiguous place where he has been marooned for years and the stage itself. Written in 1611 . . ....
- Books: “O.”
8220;You ever wonder why stories like yours get buzz?” Cal Regan, a handsome young campaign manager for O, asks Maddy Cohan, a beautiful young reporter. The answer, he volunteers, is that “you imprinted a stupid Hollywood psychodrama on the race when there are no facts to support . . . (Subscription required.)...
- Books: “O.”
8220;You ever wonder why stories like yours get buzz?” Cal Regan, a handsome young campaign manager for O, asks Maddy Cohan, a beautiful young reporter. The answer, he volunteers, is that “you imprinted a stupid Hollywood psychodrama on the race when there are no facts to support . . . (Subscription required.)...
- Books: “Late for Tea at the Deer Palace.”
8220;Everybody asks me about my father,” the author writes, on the first page of this family memoir. But the story of the sprawling and wealthy Chalabi clan began long before Ahmad achieved infamy as the source of the “supposedly faulty intelligence that led America into the war . . . (Subscription required.)...
- Books: “Grand Pursuit” review.
This ambitious, sprawling survey of modern economics, from the Victorian era to the end of the twentieth century, tracks the emergence and growth of two parallel arguments against determinism: a rejection of the view of poverty as “a natural phenomenon” and the insistence that market spikes and crashes . . . (Subscription required.)...
- Books: “Three Stages of Amazement.”
Edgarian’s second novel follows an idealistic couple who want their marriage to be “a flexible, romantic sort of agreement” but find that it has become “a mousetrap.” Lena used to be a “nail-the-bastards” radio producer; now she cares for two . . . (Subscription required.)...
- Books: “Three Stages of Amazement.”
Edgarian’s second novel follows an idealistic couple who want their marriage to be “a flexible, romantic sort of agreement” but find that it has become “a mousetrap.” Lena used to be a “nail-the-bastards” radio producer; now she cares for two . . . (Subscription required.)...
- Books: “No Such Thing as Silence.”
In this concise survey, Gann, a composer and music critic, examines John Cage’s famously noteless composition “4′33″” from origins to afterlife. He lucidly catalogues the “specifically American mix” of influences—Duchamp, Zen, Erik Satie, Thoreau, Robert Rauschenberg—that fed . . ....
- Books: “Young Romantics.”
Hay examines the “turbulent communal existence” of the English Romantic poets, astutely parsing the intricate circumstances that led to this network’s distinctive creative output; she shows, for instance, that “Frankenstein” emerged not merely out of fireside “conversations about ghosts and galvanism” but . . ....
- Books: “The Enchanter.”
Zanganeh writes a love letter to literature and to Vladimir Nabokov, a writer who has charmed her with his “demonic artistry of words” and with the “joyousness of pure knowledge.” Zanganeh, once a reluctant reader, picks up “Ada, or Ardor” and quickly discovers that . . . (Subscription required.)...
- Books: “James Madison.”
One of only two delegates to attend every session of the 1787 Constitutional Convention, Madison transcribed the deliberations. He decided to publish this “most exact account” posthumously, reasoning that “the distance of time like that of space” lends to everything an “attractive” lustre. In . . . (Subscription required.)...
- Anthony Lane: The long, strange history of 3-D.
Did you enjoy “Rottweiler”? How about “Bwana Devil” or “Black Lolita”? Maybe you preferred “International Stewardesses,” although you might know it under the more thoughtful title of “Supersonic Supergirls.” You will not need reminding that these are among the crowning . . ....
- Anthony Lane: “Nine,” “The Imaginarium of Dr. Parnassus,” “The Young Victoria,” and “A Single Man.”
The beginning of “Nine” feels like an end. The first words we hear are “You kill your film,” uttered at a press conference by an Italian movie director named Guido Contini (Daniel Day-Lewis). We then find him at the Cinecittà film studios, in Rome . . ....
- Tad Friend: Andrew Stanton, “Finding Nemo” and “Wall-E,” director tries live action.
If Andrew Stanton’s career has taught him anything, it’s the power of toys, fish, and robots. Stanton was the lead writer of Pixar Animation Studios’ “Toy Story” trilogy; he also wrote and directed “Finding Nemo,” about a father fish’s . . . (Subscription required.)...
- Books: “A Reader on Reading.”
Lectures, columns, and other occasional writings are gathered here to form a meditation on “the art of reading.” Thoughtful interrogations of the value of identity labels like “Jewish fiction” or “gay fiction” and the relationship between writers and editors mix with ruminations on the . . ....
- David Denby: “True Grit,” “The Company Men,” “Somewhere,” and “The Tempest.”
In “True Grit,” the Coen brothers’ enjoyably astringent remake of the maudlin John Wayne Western from 1969, the characters all speak in formal diction. They abjure contractions (typical sentence: “He has abandoned me to a congress of louts”), and they avoid the fanciful, “fuck . . . (Subscription required.)...
- David Denby: “True Grit,” “The Company Men,” “Somewhere,” and “The Tempest.”
In “True Grit,” the Coen brothers’ enjoyably astringent remake of the maudlin John Wayne Western from 1969, the characters all speak in formal diction. They abjure contractions (typical sentence: “He has abandoned me to a congress of louts”), and they avoid the fanciful, “fuck . . . (Subscription required.)...
- Yosef Hayim Yerushalmi: “Gilgul.”
8220;You know,” she said almost shyly, “that I have the ability, if you wish, to look into your eyes and tell you when you will die?”
“No, I didn’t realize you could do that.” He hesitated for a moment. “And I . . . (Subscription required.)...
- David Denby: “Source Code” and “Meek’s Cutoff.”
8220;Source Code,” a techno-thriller about a dead man who tries to save Chicago from nuclear destruction, is much more enjoyable than “Inception,” “The Adjustment Bureau,” “Limitless,” and other fantastical jaunts of recent seasons. The movie may begin as a sci-fi . . . (Subscription required.)...
- Books: “What I Don’t Know About Animals” review.
Neither fish nor fowl, Diski’s book is a compassionate, appealing crossbreed of history, philosophy, and memoir—“a kind of travel book but with animals instead of travel,” as she explains in a letter to a sheep farmer, whom she visits during lambing season. She studies . . . (Subscription required.)...
- Books: Francis Spufford’s “Red Plenty,” review.
The first sign that this is not an orthodox history is the “cast” list up front, in which real people mingle with fictional ones. This hybrid approach, Spufford argues, befits the “fairytale” nature of his subject: the Soviet Union’s attempt—via a centralized . . . (Subscription required.)...
- Books: Henry Louis Gates, Jr.’s “Life Upon These Shores,” review.
Beginning with the twenty or so Angolan slaves brought to Jamestown in 1619 and ending with the election of Barack Obama, this copiously illustrated history sets out, as Gates puts it, “to find a new way of looking” at the “full sweep” of African-American history . . . (Subscription required.)...
- George Saunders: “Escape from Spiderhead.”
8220;Drip on?” Abnesti said over the P.A.
“What’s in it?” I said.
“Hilarious,” he said.
“Acknowledge,” I said.
Abnesti used his remote. My MobiPak™ whirred. Soon the Interior Garden looked really nice. Everything seemed super-clear.
I said out . . ....
